98% Mud

All Critics (153) | Top Critics (33) | Fresh (150) | Rotten (3)

For at least three-quarters of the way, this is a fine film, and one that kids and parents could see together.

There is an enchanted-fairy-tale aspect to Mud, but its bright, calm surface only barely disguises a strong, churning undercurrent.

A modern fairy tale, steeped in the sleepy Mississippi lore of Twain and similar American writers, and with a heart as big as the river is wide.

Nichols has a strong feeling for the tactility of natural elements-water, wood, terrain, weather.

Nichols takes his time with the story, dwelling on how the boy is shaped by the killer's tragic sense of romance, yet the suspense holds.

"Mud" isn't just a movie. It's the firm confirmation of a career.

Mud is about the fragility of men, the craving to be loved - by a woman, by other men - and how easily that love is misplaced, taken away, cheated or lost.

Mud has a rare big-screen beauty, and its old-fashioned storytelling recalls A River Runs Through It, Night of the Hunter, and Stand By Me.

This moody, broody character-driven crime story is another fine step in the career redemption of Matthew McConaughey.

Mud is the kind of small scale, character driven drama one rarely sees out of the States any more, and cements Nichols as one of his country's most significant independent auteurs.

Just like its lead character, this film is packed to the brim with sadness, swagger and soul.

All the women in this movie are shrews, liars and/or emasculators.

Mud is a moving exploration into the nature of manhood, with superb performances, striking location and engrossing story creating a mesmerising and heartfelt coming of age drama.

A stripped back approach to tracking the process of growing up, but lacks the faith to see the plan executed to the end

Nichols takes his time unravelling Mud and Ellis's entwined fates, but his characters are so rich that it's well worth being in their company.

In its energy and nuance, Mud seems like the kind of film Hollywood would've made in the Seventies, and would've continued to do if not for the advent of market-conscious filmmaking.

More than a mere tribute to Twain and Dickens: this has all the makings of a modern classic.

An extremely sophisticated and progressive examination on how adolescent masculinity is defined by often-contradictory cultural attitudes towards femininity.

Mud is as beautiful to watch as it is to listen to, and feel kinship to, whether you're from the South or just Southern at heart.

In Jeff Nichols, America has a champion of the religious and working class. With the schism between the right and left in the U.S. growing ever larger... his ascent couldn't have come at a better time.

This is a film with a great naturalistic style and captivating performances and which does just about everything right.

Jeff Nichols writes characters with depth, nurtures strong performances form his cast and allows the screenplay's backwater setting to effectively create tone and texture.

This is American cinema at its very best as Huckleberry Finn meets Stand By Me.The two boys are terrific and McConaughey is sensational as Mud, dazzlingly frazzled as the hunted and haunted man on the run.

Up till just past the three-quarter mark, Mud is one heck of a nifty psychological fable.

The Southern-fried drama "Mud" is an electrifying example of what happens when you merge a crackerjack yarn with a very specific setting, and then pour on the heat with riveting performances.

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Source: http://www.rottentomatoes.com/m/mud_2012/

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